Christina Mangosing, born on June 5, 1947, in Belen, New Mexico, was a woman whose life combined cultural depth, resilience, and quiet influence. Best known as the second wife of Academy Award–winning actor Louis Gossett Jr. and the mother of filmmaker Satie Gossett, she lived a life that bridged heritage and humanity. Married to Gossett on August 21, 1973, and divorced around 1975 (some reports mention October 1974), Christina’s story extends beyond Hollywood into the narrative of a Filipino-American woman navigating multiple worlds. According to memorial sources such as Find a Grave, she reportedly passed away on April 3, 2000, in Los Angeles, though official records remain limited. Her legacy lives through her son’s artistic career and through her representation of multicultural identity during an era when such stories were rarely highlighted. This article separates confirmed facts from reported claims, providing an accurate, respectful, and SEO-optimized look at Christina Mangosing’s life, family, and enduring influence.
Profile Summary: Christina Mangosing
| Attribute | Details |
|---|---|
| Full Name | Christina “Tina” Mangosing |
| Date of Birth | June 5, 1947 (IMDb) |
| Place of Birth | Belen, New Mexico, USA (IMDb / Find a Grave) |
| Nationality | American |
| Ethnicity | Filipino-American (with possible Hispanic maternal roots) |
| Parents | Mateo Dumlao Mangosing and Salome Jaramillo (Find a Grave) |
| Occupation | Actress (credited as “Tina Mangosing” in The F.B.I. 1965); Entrepreneur / Private Citizen |
| Known For | Second wife of actor Louis Gossett Jr.; Mother of filmmaker Satie Gossett |
| Marital Status | Divorced |
| Spouse | Louis Gossett Jr. (m. August 21 1973 – div. 1975 *) |
| Children | One son – Satie Gossett (b. 1974) |
| Reported Death | April 3 2000, Los Angeles (according to memorial records) |
| Age at Death | 52 years (reported) |
| Religion / Beliefs | Not publicly known – likely Christian background due to family heritage |
| Residence (Reported) | California, USA |
| Languages Spoken | English and possibly Tagalog (Filipino heritage influence) |
| Notable Family Connection | Mother of award-winning filmmaker Satie Gossett; Ex-spouse of Oscar winner Louis Gossett Jr. |
| Legacy Highlights | Cultural bridge between Filipino-American and African-American heritage; embodied resilience and dignity beyond Hollywood fame |
Who Was Christina Mangosing?

Early Life in Belen, New Mexico
Born in the mid-twentieth century, Christina Mangosing grew up in Belen, New Mexico, a region known for its blend of Native American, Hispanic, and Anglo-American traditions. This diverse setting shaped her worldview and identity. Sources confirm that she was of Filipino-American descent, with her father, Mateo Dumlao Mangosing, reportedly tracing his roots to the Philippines. Christina’s upbringing in a multicultural environment encouraged values like family unity, community involvement, and respect for elders—traits that later defined her as both a mother and a partner. Unfortunately, detailed information about her schooling and early childhood remains scarce, typical for private individuals connected to Hollywood during that era. Nevertheless, her cultural grounding would become an integral part of her family story and her son’s later creative expression.
Family Background and Filipino-American Roots
According to genealogical and memorial records, Christina’s father, Mateo Mangosing, carried Filipino heritage, while her mother, Salome Jaramillo, bore a Hispanic surname, suggesting mixed ancestry. This intersection of Filipino and Hispanic identities reflected the broader diversity found in mid-century New Mexico. Christina embodied Filipino values of family closeness, humility, perseverance, and hospitality, while her Hispanic roots enriched her appreciation for community traditions and faith. These intertwined influences became a moral compass throughout her life, shaping her relationships and the nurturing environment she provided for her son, Satie. Her story symbolizes the Filipino-American experience in the United States—balancing two worlds while maintaining cultural integrity.
Growing Up Between Cultures
The 1950s and 1960s were decades of immense cultural change in the United States. For Christina, growing up as a woman of color meant navigating identity in an evolving America. The Civil Rights Movement, the rise of Asian-American advocacy, and growing diversity in Hollywood were reshaping social perceptions. Yet representation for Filipino-Americans was still minimal. Christina’s generation had to assert its presence through perseverance rather than visibility. This background gave her a deep sense of empathy and adaptability, qualities that would later influence how she guided her son and interacted with people from different walks of life. Her story stands as an example of quiet strength during an era that often silenced minority voices.
Early Career and Small Acting Role
“Tina Mangosing” in Television
On IMDb, Christina is credited as “Tina Mangosing”, appearing in the television series The F.B.I. in 1965. While the credit is limited, it confirms her early involvement in entertainment, possibly reflecting her ambition or curiosity about acting during her younger years. Her appearance, though brief, connects her to the vibrant Hollywood scene of the late 1960s and early 1970s—a time when opportunities for Asian-American performers were scarce. There is no evidence that she pursued acting full-time, suggesting that her professional interests extended beyond the screen.
Life Around Hollywood in the 1960s–1970s
Christina’s proximity to Hollywood culture gave her insight into an industry on the edge of transformation. Minority actors and creatives were beginning to challenge stereotypes and demand inclusion. For Christina, this environment likely shaped her awareness of race, representation, and cultural sensitivity. Although she never became a public figure herself, her experiences within this landscape positioned her as a supportive partner to Louis Gossett Jr., who was breaking racial barriers in film and television.
Reported Entrepreneurial and Creative Pursuits
Some later sources and blogs, including xptmagazine.com, describe Christina as having entrepreneurial and creative pursuits. While such claims are not fully documented, they align with her independent personality and resourcefulness. Many women of her generation managed home and business responsibilities simultaneously, often without public recognition. Christina’s quiet resilience and self-sufficiency became part of her identity—traits later mirrored by her son, who would forge his own creative path as a filmmaker.
Marriage to Louis Gossett Jr.

How Their Paths Crossed
The exact details of how Christina met Louis Gossett Jr. are not publicly known, but their marriage united two strong cultural lineages—African-American and Filipino-American. Their relationship developed during a period when interracial marriages were gaining visibility but still faced societal scrutiny. Their bond symbolized the growing diversity of American relationships in the 1970s, standing as a quiet statement of love and unity amid ongoing racial divides.
Wedding and Marriage Timeline
Christina and Louis married on August 21, 1973, at a time when his acting career was ascending. Their union was short-lived, ending in divorce around October 1974 or 1975 (reports vary slightly). Despite the brevity of their marriage, they shared one of life’s most enduring connections—their son, Satie Gossett, born in 1974. While Christina preferred privacy, Louis continued to achieve monumental success, becoming the first African-American man to win the Academy Award for Best Supporting Actor for his performance in An Officer and a Gentleman (1982). Their story represents a unique intersection of cultural and cinematic history.
Intercultural Marriage in 1970s America
The marriage between Louis and Christina represented more than personal affection—it symbolized the growing normalization of intercultural unions after the Loving v. Virginia (1967) decision legalized interracial marriage across the United States. As an African-American actor and a Filipino-American woman, their relationship reflected a broader cultural evolution. However, balancing fame, cultural expectations, and personal life posed challenges. Christina remained poised and dignified, focusing on her family rather than public attention, showing strength in a time when society often spotlighted celebrity men but not their partners.
Motherhood – Raising Satie Gossett
Birth of Their Son
In 1974, Christina gave birth to Satie Gossett, her only child. Satie would grow into a filmmaker and storyteller deeply influenced by both parents’ artistic and cultural sensibilities. His work reflects Christina’s values of empathy, justice, and compassion—virtues nurtured in a multicultural household that celebrated heritage and resilience.
Christina’s Influence on Satie’s Values and Career
Satie Gossett’s films, such as Jewtholic (2013), Forgiveness (2015), and 10 Minutes (2019), echo themes of racial awareness, unity, and compassion. These subjects align closely with the principles his mother embodied. Christina’s Filipino-American roots instilled in him a sense of cultural appreciation and social consciousness, while her quiet strength taught him to use creativity as a bridge between communities. Her legacy is visible in every frame of his work, illustrating that influence does not require fame—it requires love, guidance, and values passed from one generation to the next.
Co-Parenting and Relationship With Louis After Divorce
Though public records reveal little about Christina and Louis’s post-divorce relationship, it is believed that they co-parented Satie with mutual respect. Louis often expressed the importance of family, and Christina ensured her son grew up grounded despite his father’s fame. Their ability to maintain familial harmony underscores Christina’s emotional maturity and dedication as a mother.
Life After Divorce – Privacy and Personal Choices
After her divorce, Christina chose a private path away from Hollywood. Reports suggest she lived in California, dedicating her time to family and community rather than pursuing public ventures. Her decision to remain out of the spotlight reflects her values of humility and self-preservation. Unlike many celebrity spouses, she embraced normalcy over notoriety. Her friends described her as warm, grounded, and fiercely independent—someone who found joy in simplicity rather than fame.
Death, Memorials, and Conflicting Records
According to Find a Grave and WikiTree, Christina reportedly passed away on April 3, 2000, in Los Angeles at the age of 52. However, these memorial entries are user-submitted, and no official obituary or public record has verified the details. This lack of documentation is common for private individuals who live beyond media attention. Her passing, though quiet, left a lasting impact on those closest to her, especially her son, who continues to honor her memory through his creative work.
Legacy and Cultural Significance
Christina Mangosing’s life mirrors the journey of countless Filipino-American women who balanced family, heritage, and identity in a rapidly changing America. Her story reflects the intersection of race, culture, and perseverance. Through her son’s films and her quiet influence, she continues to shape conversations about empathy and understanding across cultures. The renewed public interest in her life—especially following the passing of Louis Gossett Jr. in 2024—reminds us that behind every famous name stands someone who helped shape their humanity.
Myths, Misinfo, and Common Confusions
Some online sources mistakenly conflate Christina Mangosing with Christine Mangosing, a modern-day designer based in a different location. These are separate individuals. Likewise, while a few blogs claim Christina is still alive with an estimated net worth, most memorial and genealogy sites record her death in 2000. Given the absence of official confirmation, her death should be described as reported rather than definitively confirmed. There is no credible evidence regarding her later career or financial status—any claims should be approached with skepticism to maintain factual integrity.
How We Know What We Know – Sources and Research Tips
Information about Christina Mangosing comes from cross-referenced primary and secondary sources, including IMDb, Wikipedia, Find a Grave, and public archives. While secondary sites like xptmagazine.com, Starvila, and eCelebritySpy provide additional insights, they often mix verified data with speculation. Therefore, any serious researcher should verify details through public records, newspaper archives, or official marriage and birth certificates to ensure accuracy. Transparency about the limits of available information strengthens the credibility of her biography.
Conclusion
Christina Mangosing’s life is not one of celebrity glamour but of cultural resonance and personal strength. As a Filipino-American woman, a mother, and a supportive partner during a time of social transformation, she represented quiet perseverance. Her legacy endures in her son’s socially aware films and in the cultural bridge she embodied between communities. In a world often captivated by fame, Christina’s story reminds us that greatness often resides in humility, resilience, and the enduring influence of a loving mother.
FAQs About Christina Mangosing
1. Who was Christina Mangosing?
Christina Mangosing was the second wife of actor Louis Gossett Jr. and the mother of filmmaker Satie Gossett.
2. When was Christina Mangosing born?
She was born on June 5, 1947, in Belen, New Mexico.
3. Was Christina Mangosing Filipino?
Yes, she was of Filipino-American descent, with possible Hispanic maternal ancestry.
4. When did she marry Louis Gossett Jr.?
They married on August 21, 1973, and reportedly divorced in 1975.
5. Did Christina Mangosing have children?
Yes, she had one son, filmmaker Satie Gossett.
6. Did Christina Mangosing act in movies or TV?
She was credited as “Tina Mangosing” in the television series The F.B.I. (1965).
7. When did Christina Mangosing die?
According to memorial sources, she reportedly died on April 3, 2000, in Los Angeles.
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